Ilang Pretensyosong Pananaw Tungkol sa Ilang Pretensyosong Argumento at Pretensyosong Reaksyon na Nakalap Nito

Pagbigyan n’yo na ang pagsawsaw ko sa high pitch na usapin tungkol sa OPM at kung ded na nga ba ito o humihinga pa. May kinalaman ito sa ilang article na na-publish sa dyaryo o maging sa internet na sa awa ni Batman ay huwag na nating ilagay rito para lang masabi na factual at impartial. Para sa isang katulad ko na at some point ay na-appreciate ang “Crush na Crush” ni Isabel Granada o ang isang song ni Roeder na hindi ko na maalala ang pamagat, heto ang aking masasabi:

1. Wala akong masyadong na-digest na sustansya sa unang article (at ang isa o dalawang sumunod dito) na bumasag sa katahimikan. Para sa akin, puwede itong pagkasyahin sa isang tweet. Wala rin akong nakitang masama sa pagsasapubliko ng opinyon pero upang maging kasing revolutionary ni Christopher Nolan (for the lack of example), kailangan ng mabigat na ammunition sa paratang na OPM is dead. Ang isang article ay naghamon pa ng demanda kahit alam nating lahat na hindi mo puwedeng i-sue ang ang isang opinyon, crappy man o sobrang crappy;

2. Ang punto ng unang article ay ang komentaryo na ang pinakamabentang music album so far ngayong 2012 ay mula sa tweenstar na si Daniel Padilla. Pinapaigting ng article na tapos na ang maliligayang araw natin na ang mga naghaharing uri sa OPM ay totoong mga OPM: Original Pilipino Music. Tingin ko, walang kasalanan si Daniel Padilla rito. In the same manner na walang kasalanan si Judy Ann Santos nang minsan ay nag-platinum ang kanyang album. Eh ‘tangina, paano pa si Vilma Santos noon na nagso-song and dance ng “Sixteen” at “My Boy Lollipop”? Namatay ba ang OPM dahil dito? Tingin ko, hindi. Walang kasalanan si Daniel Padilla (na sa panonood ko nang ilang “Princess and I” episode ay swag naman sa TV at merong ibubuga). Wala ring kasalanan ang mga nag-produce ng album at ang mga bumili nito. Showbiz ito, business. Merong demand kaya gumawa ng supply in the form of a music album. Not a noble idea at all pero hindi rin naman ito krimen. My gulay, kahit i-vacuum seal mo ang utot ni Daniel Padilla sa isang botelya, marami pa ring bibili nito. At siguradong sigurado ako, walang mahilig sa pabango ang magrereklamo na patay na ang Original Perfume Maksyet;

3. Kaya hindi ako nagbigay agad ng stand ko kung ded na nga ba o hindi ang OPM ay simple lang: wala naman talagang argumento. Of course, OPM is alive and kicking. Sobrang glaring ito. Hindi ito kamukha n’ung naparatangan din noon na Pinoy Cinema is dead. Ramdam na ramdam mo ang tibok ng OPM. Pumunta ka ng Saguijo. Pumunta ka ng 70’s Bistro. Sa local iTunes Music recently, halimbawa, nag-top ang album ni Julie Anne San Jose na merong magkahalong orig at revival. With that, parang wala sa hinagap ko na nag-flatline ang musikang Pinoy. Ibig sabihin kasi n’ung patay, hindi na humihinga at wala nang evidence of movement. Para sa akin, ni hindi ito naghihingalo;

4. Naiintindihan ko ang violent reaction dito lalo na mula sa mga musikero. It’s a healthy reaction lalo na kung aktibo ka sa panganganak ng bagong komposisyon. Sabi nga dati ng isang katoto, parang aso ‘yan na bagong panganak, bawal hawakan ang mga tuta. Pero naman, ‘wag sobrang violent to a point na sabihing “whore” ang sumulat ng article. Remember, it takes one to know one; at

5. Tingin ko, ang article ay hindi talaga isinulat upang mag-post ng debate. Well, napaka-abnoy naman na bumukal ang heated argument mula rito. Let’s read between the notes este lines. Ang basa ko, gusto lang sabihin na we should support the local music industry. That’s golden naman. I-download nang legal, bumili ng orig CDs, lumabas ng bahay at manood ng gig at concert. Pero s’yempre, hindi na hipster kung ganyan lang ang content ng article. Unang una, panawagan din ito sa gobyerno upang ma-address ang pagkapilay ng suporta nito sa OPM. Sa katunayan, naaawa ako sa organisasyon sa tuwing binabalewala sila ng gobyerno kapag meron silang protesta laban sa mga Broadway musical na lumalanding sa ating bansa. Parang langaw lang na pinapalabas sa bintana ang kanilang mga sopistikadong hinaing. Sa perspektibong ito, I swear, marami pa talagang puwedeng isulat na mas mataas ang nutritional content. Halimbawa, bakit nga ba na-disband ang Apo Hiking Society? Bakit nga ba gumawa ulit ng all-revival album si Noel Cabangon matapos nitong bumalik sa all-original pagkatapos ng unang all-revival? Bakit nga ba hindi na kinukuha si Basil Valdes para umawit ng bagong movie theme song? At ano ang motibasyon ng kumuha sa kanya para sa teleserye na “Sa Ngalan ng Ina” ng TV5? Bakit nawala ang Metropop at bakit lukewarm ang reaction ng tao sa kakatapos lang na Philippine Pop Music Festival? Paano na-conceptualize ang collaboration ng Team Manila at ni Dong Abay? Ano ang staying power ni Rico Blanco? Nasaan na si Lito Camo at ano nang ginagawa ng Aegis? Hipster din naman ang mga tanong na ‘yan. At mas subtle.

Kung tinatamad kang basahin lahat ang mga pretensyosong comment na ‘yan, ito lang ang gusto kong sabihin tungkol sa OPM: i-download nang legal, bumili ng orig CDs, lumabas ng bahay at manood ng gig at concert.

Accidental Tourist for 14 Hours in Sao Paulo

In less than two weeks before we finally left Montevideo, we got news that Pluna, Uruguay’s national airline that would bring us to Sao Paulo, filed for bankruptcy. And unlike those companies facing the same dilemma, Pluna stopped the operations right there and then. That was tough for us since we didn’t have much time and we were not given any word on how to at least refund the ticket. For close to a week, we were calling and waiting for any booked flight. The challenge then was to still catch the succeeding Emirates flights from Sao Paulo to Dubai then Dubai to Manila. Otherwise, it would be more taxing if we rebook the whole thing. And just days before the original schedule, we secured a trip through GOL (a Brazilian airline) that would let us leave Montevideo as early as 5am and will have a short stop-over at Porto Alegre in Brazil before landing at Sao Paulo. I have no clue why mishaps like this always happen on my way to Cinemalaya. Last year at exactly the same time, a volcano in Chile erupted and its ashfall stopped most of the outgoing flights from Montevideo.

Anyway, for the new trip, we were required to have a long layover (around 12 hours) in Sao Paulo. I took the opportunity to explore the city since we were prompted to book a hotel where we could stay in less than a day and without even spending the night. Mike left a day early so I had no choice but to do any available city tour on my own. With the 4-hour trip we did in Rio de Janeiro in mind, I checked Tripadvisor for the most popular (and therefore the most trusted) guided tour in Sao Paulo. There I found this company called Around Sao Paulo (www.aroundsp.com) and I started emailing for reservation three days prior to the trip. Luiz Quevado (Phone: +(5511) 99139940 / 93912302, Mobile: (5511) 7880-4186, Email: reservations@aroundsp.com) replied back and we settled for the hotel pick-up at 2pm.

On the day of the trip, I was early at Carrasco International Airport and I was the first in the queue. By then, Mike was already done with his Brazilian leg and he mentioned that the lines in Porto Alegre were long and the time to catch the next flight was very challenging. He had to pick up the luggage and have it checked in again on the way to Sao Paulo. The GOL staff who attended to me mentioned that the Porto Alegre flight was cancelled due to a “methological error”, whatever that is. She said that I will need to stay in the said Brazilian city and will leave for Sao Paulo at 4pm. Before I even reacted, she corrected it by saying that I will be flying out instead through TAM that will leave Montevideo at 6am and will go straight to Sao Paulo (skipping Porto Alegre). I was so sleepy then and at first, I didn’t get the idea that it was a more convenient flight.

I arrived in Sao Paulo as early as past 10am. It was a nice flight and it’s a treat to experience sunrise from the plane window. Immigration and taxi queues went smoothly and off I went to the city center through a SLEX kind of airport road. It is too long for me for an airport-to-city trip and I was informed already that the traffic will get worse in the evening. It was rainy at Guarulhos International Airport (GRU) that time and gloomy all throughout when I finally reached the heart of the city.

Golden Tulip Park Plaza is located close to Paulista Avenue which is their equivalent of Ayala Avenue in Makati. I was too early for check-in and no room was available that time. Since the tour will start later at 2pm, got no choice but to leave my luggage there and went to visit Museu de Arte de São Paulo or simply MASP. Based on the map, it’s just seven blocks away from the hotel but when I realized that it’s uphill heading to Paulista Avenue, I hailed the very first taxi that passed by. The driver didn’t accept the one real bill which I got from the money changer in Montevideo. He told me that it’s worthless. I didn’t bother figuring out if he was just outwitting me or what. At least I have Brazilian money for souvenir.

MASP opened after I lined up for 15 minutes. Entrance was free that time. I bothered asking why but everybody seemed to ignore my English and I didn’t know any helpful Portuguese word. The iconic museum stands on four bright red pillars with an open space at the ground. From afar, it could resemble a giant table or a cabinet. It houses a wide range of pedigreed artwork from Claude Monet and Rembrandt to local artists. It’s just one floor of packed art stuff from sculpture to doodles and it didn’t take a while for me to finish browsing all the items. I just walked back to the hotel, explored Paulista Avenue some more and had lunch at one of the carinderias along the way. Let’s just say that I survived my very first meal there by pointing to the pictures on the menu. It helped, too, to observe how people pay up.

Clocked at 1pm, I was already having a shower in the hotel room. I made it a point not to adore the bed because I won’t be able to sleep there during the night. At 2pm, I was already at the hotel lobby. Luiz wasn’t around yet so I followed my instincts about a possibility of having two or more Golden Tulip hotels in the city. I was right when I called him. After 30 minutes, he showed up apologetically and said that he will just make up for the lost time. It started to rain the moment we left the hotel aboard his car.

Oscar Niemeyer's The Oca at Ibirapuera Park

At the lobby of Ibirapuera Auditorium, also by Oscar Niemeyer

Ruy Ohtake's watermelon-inspired Hotel Unique

Luiz is very fluent in English and he’s open to customize the tour based on points of interest. I told him that I was fine with anything architecture especially those that paved the way to Sao Paulo’s distinct character. I mentioned, too, that I learned from Morgan Spurlock’s documentary “The Greatest Movie Ever Sold” that there’s a city ban on billboards. He confirmed this and elaborated more as we cruised along Paulista Avenue. He mentioned a media building that has four or five more floors below and another one that is one of the oldest buildings in the city. Then we headed to Ibirapuera Park to get up close with two of Oscar Niemeyer’s iconic buildings, the Oca and and the Ibirapuera Auditorium. The former functions as an exposition place while the latter serves as an intimate venue for concerts and the like. I was informed that one of the said Brazilian architect’s signature designs is the absence of stairs. Levels are creatively connected by platforms or those spiral walkways, very unique and impressive. It was raining hard that time so we stayed for a couple of minutes at the auditorium lobby. The obelisk was seen from the car park but we didn’t get near.

Sao Paulo's iconic sculpture Monumento às Bandeiras

Before we saw the iconic sculpture Monumento às Bandeiras, we made a stop at Hotel Unique that was conceived by another great Brazilian architect named Ruy Ohtake. As suggested by the name, the hotel is quite unique. It looks like a chopped watermelon from afar. Inside, it’s very posh and cozy. On our way to the bar upstairs, we actually saw the architect himself accompanying a group of guests on their way out. Luiz said that I was lucky to see Ohtake in person.The viewing deck of the hotel was not open when we went up because of the weather but I had the chance to take a picture of the skyline from there. Back to Bandeiras which is located in a rotonda, I was so eager to get up close with the sculpture after the rain had subsided. Luiz and I agreed to drop me off on a red light then he will just make one round then pick me up. That part was exciting.

From there, we went to the central part of the city. Luiz parked in one of those huge old-buildings-turned-parking-spaces and we started walking. The rain completely stopped. We visited the Catedral da Sé which looked like 400 years old to me but was only built during the 60’s. It’s massive and the interior is intricate. When we went out of the church, it started to rain again and we didn’t bring any umbrella. Glad that I managed to bring a raincoat with me. From there, we walked a little more to the left and reached the place where the city was born. It’s called Pátio do Colégio where some Jesuits built their mission-school that converted the natives to Catholicism. There are other interesting historical sites in the area and we managed to explore it amidst the rain. We then went back to the parking space and off we strolled around the city some more.

Edificio Copan, also by Oscar Niemeyer

Luiz brought me to the Japantown area called Liberdade and highlighted some establishments made famous by its early Japanese immigrants. We also passed by at Edificio Copan which is another Oscar Niemeyer and if I remember it right, the Italian embassy. As a finale, Luiz made a stop at Estádio Municipal Paulo Machado de Carvalho which is also known as Estádio do Pacaembu. It was one of the venues for 1950 FIFA World Cup and for some major concerts. At 6pm and after a tour that lasted for three hours and a half (Luiz really meant it when he said he’s going to make up for the lost time), we were back at the hotel. I thanked Luiz big time and said that I enjoyed the tour and I promised to blog about the experience.

At 7:30pm, I was already on my way to the airport. The hotel attendants were helpful enough in securing me a cab though I was initially looking for those that accept credit cards which would take 30 minutes more of waiting time. Traffic was pretty bad that time. Using the same route I had in the morning which lasted for 30 to 40 minutes, it took two hours or more to finally reach GRU. It was my first time to see the receiving area of the airport and it didn’t take long for me to check in and reach the lounge close to the designated gate. It was raining when I arrived in the morning and when I left Sao Paulo. It was a tiring day. I just slept half of the 14-hour trip to Dubai with a thankful smile and a promise that I can make it to Cinemalaya 2012.

The rest of the pics here plus some pics on our last week in Montevideo here.